Fatih Akin作品风格互相延承都试图通过突发事件展示个人内心的矛盾感以及和他人关系的即排斥又亲近的关系这部作品的故事显然精心雕琢双生赤狐希望体现更多深刻的社会因素这导致线索的前后左右过于牵强但就情绪的渲染和音乐的使用已经显然自成一派土耳其现实主义电影风格的代表人物
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“The person one loves at first is not the person one loves at last. Love is not an end, it's a process through, which one person attempts to know another.”