莫莱蒂饰演Michele的第三部这部里Michele是个导演于是莫莱蒂就借他之口直接向同行向影评界向电视台向观众当然同时也向自己宣战了总之火力真的是太凶狠了 有很多场景非常cult:伪弗洛伊德在意大利街头卖书、68的学生被拍成音乐剧拿着红宝书的青年在里面翩翩起舞、两个导演在无良真人秀节目里PK从对骂到拳击到穿着企鹅进行装障碍跑节目结束时男主对观众高声喊出Pubblico di merda……看得非常愉快Pubblico di merda
Perplexity, surrealism & absurdism in a musty, shabby & filthy atmosphere. Many signs inaugurate early on the sheer queerness of whatever revolves around Barton Fink - his own madman's facial expressions, a pitiful & empty hotel, faint sounds that obsessessively bother only him, dubious characters & personalities in Hollywood. But the viewer can still hang in this mess, and somehow (with a little effort) make some sense of what's happening. It's only towards the last third that the increasing contradictions explode into no(n)-sense. The only - and cheap - way to read the movie would be that most of these irreconciliable scenes are in fact dreams or hallucinations. Disappointing.